OPERA & LIED

July, 12th – July, 17th 2021

Direction:UNIV.-PROF. THOMAS QUASTHOFF
Accompaniment: ALEXANDER FLEISCHER, HfM Berlin

Audition:
July, 12th 2021, 11.00 am
Location: Concert Hall Hotel DAS SIEBEN, Bad Häring

Course fee: € 500,- (Non-participants 50% - € 250,-- for masterclass passive participation)

Registration until 2nd of July 2021

Final concert:
July, 17th 2021
Start: 8.00 pm
Location: Concert Hall Hotel DAS SIEBEN, Bad Häring 


This masterclass offers a wide range of Opera and Lied.

Target group:

This masterclass of Univ.-Prof. Thomas Quasthoff addresses to advanced singers, singing students at art universities and conservatories as well as accompanying coaching for young professionals (repertoire choice) as well as to professional singers who are in preparation for concerts and opera performances or auditions.

Master's course:

This master class does not only deal with the musical-dramatic examination of a role/aria (interpretation and development of vocal colors, design in musical and textual content) but also with the interpretation and stage presence in particular. The participants have the opportunity to present their skills in a representative final concert under professional conditions.

Alexander Fleischer supports the participants with coaching and accompanist, especially regarding to the final concert on 17th of July 2021.

We ask you to be prepared for this masterclass!

Language of instruction: German, English

Music Notes: glued and in a threefold version

Thomas Quasthoff 2 ThumbTHOMAS QUASTHOFF, Bariton

Four decades on stage.
For almost four decades, Thomas Quasthoff has set the standard on international stages, moving the hearts of countless listeners with his artistry. He ended his outstanding career as a singer in 2012. However, he has retained his close ties to singing and music as a teacher at the Hanns Eisler Music Academy in Berlin and in various master classes. In addition to his teaching commitments he has also discovered several new talents, appearing as a narrator, comedian, moderator and even actor.

One of the most remarkable singers in his field, Quasthoff was a frequent guest of such orchestras as the Berlin and the Vienna Philharmonics and many other fine orchestras. He could regularly be enjoyed at all major music venues, working closely with conductors such as Claudio Abbado, Daniel Barenboim, Christoph Eschenbach, James Levine, Bernard Haitink, Mariss Jansons, Zubin Mehta, Riccardo Muti, Seiji Ozawa, Sir Simon Rattle, Helmuth Rilling, Christian Thielemann, and Franz Welser-Möst.

Thomas Quasthoff's 1995 début at the Oregon Bach Festival laid the foundation for his highly successful career in the USA. Returning numerous times for appearances with the most important orchestras and festivals, he regularly appeared at New York's Carnegie Hall following his outstanding recital début there in January 1999 (WINTERREISE by Schubert).

Thomas Quasthoff gave his highly acclaimed opera début in 2003 in the role of the Minister/FIDELIO with the Berlin Philharmonic under Sir Simon Rattle at the Salzburg Easter Festival. His extraordinary début at the Vienna Staatsoper in the role of Amfortas in Wagner's PARSIFAL under Donald Runnicles followed in spring 2004. In January 2005, he returned to Vienna in the same role to perform under the baton of Sir Simon Rattle.
Thomas Quasthoff has been artist-in-residence at Vienna's Musikverein, Amsterdam Concertgebouw, Carnegie Hall, and the Lucerne Festival, as well as in Baden-Baden, Hamburg, London Wigmore Hall, and the Barbican Centre. He released his new soul/blues/jazz program Tell It Like It Is in 2010, bringing him to numerous concert venues throughout Europe.

Mr. Quasthoff has something to say – and not just musically. Since his great success in the fall of 2012, where Thomas Quasthoff appeared for the first time as an actor in the role of Feste in Shakespeare's TWELFTH NIGHT, OR WHAT YOU WILL he continues to play this role at the Berliner Ensemble. Further highlights of the past seasons included concerts with the Belcea Quartett in Hamburg, Berlin and London where he performed in Haydn's "Seven last words" as speaker, as narrator in Schönberg's GURRE-LIEDER with the Berlin Philharmonic Orchestra under Sir Simon Rattle or in Schönberg's A SURVIVIOR FROM WARSAW with the Vienna Radio Symphony Orchestra under Cornelius Meister. In July 2014 Thomas Quasthoff was highly acclaimed as Bassa Selim in Mozarts DIE ENTFÜRHUNG AUS DEM SERAIL at the Festspielhaus Baden-Baden. The 2014/2015 season saw Mr. Quasthoff and soprano Christiane Karg dedicating their joint artistic forces to the work of French poet and novelist Louise de Vilmorin, while at the Vienna State Opera he contributed and recited texts by Joseph von Eichendorff to a recital with tenor Michael Schade.

From September 2013 onwards Thomas Quasthoff went on to conquer the cabaret stage together with cabaret artist and author Michael Frowin and pianist Jochen Kilian. They sounded out the public opinion and put art and culture, society and events of the day, types and thesis under the cabaret artist's microscope.

Projects of the 2015/2016 season included amongst others Schoenberg's GURRE-LIEDER under Ingo Metzmacher in Hannover. Thomas Quasthoff could be heard together with Florian Boesch in a literary recital around Heinrich Heine in Hamburg, Amsterdam and Graz. The innovative Verbier Festival and its artistic director Martin T:son Engstroem invited Thomas Quasthoff to make his conducting debut in July 2015 with Bach's ST. MATTHEW'S PASSION.
Highlights of the upcoming season are Jazz concerts with Frank Chastenier (piano), Dieter Ilg (double bass) an Wolfgang Haffner (drums) in Zurich, Vienna and Essen as well as Schoenbergs A SURVIVOR FROM WARSAW with the Bavarian Radio Symphony Orchestra under Mariss Jansons in Munich.
Thomas Quasthoff was a professor at the Hochschule für Musik in Detmold from 1996–2004, and has taught at the Hanns Eisler School of Music in Berlin ever since, where he dedicates himself passionately to the upcoming generation of singers. This devotion inspired him to launch the "Das Lied" international song competition, which will take place next in February 2017. Master classes will bring him again to the festival Heidelberger Frühling, to the Verbier Festival to the Summer Campus in Rostock as well as to the Aldeburgh Festival.

Thomas Quasthoff began his vocal studies with Professor Charlotte Lehmann and Professor Ernst Huber-Contwig in Hannover, Germany. His national and international music awards include, alongside many others, first prize in the ARD International Music Competition Munich (1988), the Shostakovich in Moscow (1996), and the Hamada Trust/Scotsman Festival Prize (Edinburgh International Festival 1996). He received the Order of Merit of the Federal Republic of Germany from the President of Germany in 2005, the European Culture Prize for Music at the Dresden Frauenkirche, the Gold Medal of the Royal Philharmonic Society in London, the Herbert von Karajan Music Prize of the Festspielhaus Baden-Baden in 2009, and the Gold Medal of London's Wigmore Hall in 2011. In addition, he was conferred the title of Österreichischer Kammersänger in 2009.

Starting in 1999, Thomas Quasthoff had an exclusive recording contract with the Deutsche Grammophon Gesellschaft (DGG). His CDs have been awarded many prizes and three of them have received a Grammy: Mahler's LIEDER AUS DES KNABEN WUNDERHORN (together with Anne Sofie von Otter) under Claudio Abbado, orchestrated Schubert Lieder (with the Chamber Orchestra of Europe, also under Claudio Abbado), and in spring 2006 for his Bach CANTATAS together with the Berlin Baroque Soloists. Six of his recordings have been honored with an Echo Award. In December 2014 his latest album was released by Deutsche Grammophon: Quasthoff has united the cool and relaxed song sound of the jazz singer with his penchant for fine poetry in a new concept album: Mein Weihnachten is a vocal excursion into the cool and swingin' early holiday season in the USA with a literary interpretation of our Christmas.

 

 

Alexander Fleischer 2020 ThumbALEXANDER FLEISCHER is one of the sought-after accompanist of the young generation. He studied solo piano at Hochschule für Musik „Hanns Eisler" Berlin with Birgitta Wollenweber. After that he studied with Wolfram Rieger in Berlin and participated in masterclasses of Dietrich Fischer-Dieskau, Irwin Gage, Thomas Hampson and Christa Ludwig. He won several prizes of important Lied-Competitions. Such as "Das Lied" International Song Competition in Berlin", Schubert Competition Dortmund, Competition of „Hugo Wolf Akademie" for Song Art Stuttgart, „Schubert und die Moderne" in Graz. Since then he has performed at the Festival "Heidelberger Frühling", Konzerthaus Berlin, Philharmonie Köln, Musikverein Wien, Hugo-Wolf-Akademie Stuttgart and in other European countries (Spain, Switzerland, Russia/Diagilev Festival Perm, Norway/Bergen Music Festival, Netherlands). He accompanies singer like Roman Trekel, Andreas Wolf, Olivia Vermeulen, Tobias Berndt, Peter Schöne, Manuel Walser, Sebastian Noack, Anna Alàs i Jové, Birgit Steinberger and worked melodram-programmes with Thomas Quasthoff.Since 2015 Alexander Fleischer has been teaching Lied-interpretation at the Hochschule für Musik Würzburg. He is also assistant to Professor Thomas Quasthoff at Hochschule für Musik "Hanns Eisler" Berlin.

Recently he released the first recording of all Goethe settings of Fanny Hensel together with th e baritone Tobias Berndt. In 2016 he was teaching at the famous Aldeburgh Festival (GB) for the Britten-Pears-Program. 2017 he founded his own new Lied-Festival called "Hirschberger Liedfest" in Germany.

www.alexanderfleischer.de

 

  Land Tirol Logo
 
  woergl logo     kitzbueheler-alpen-logo-scaled-2    KUltura Logo Neu   kultur tirol logo 2    OE1 intro Logo   oe1-logo-scaled2 

Wir verwenden Cookies, um unsere Webseite für Sie möglichst benutzerfreundlich zu gestalten. Wenn Sie fortfahren, nehmen wir an, dass Sie mit der Verwendung von Cookies auf dieser Webseite einverstanden sind. Weitere Informationen über Cookies finden Sie in unseren Datenschutzbestimmungen.

Ich akzeptiere Cookies von dieser Seite